August Collectives
Whilst it may appear to be a recent phenomenon there is a surprisingly long history of collective art-practice – fifty years and more. In the 1960s the art world bristled with collectives with a political mission while groups like Fluxus and Art & Language began to rewrite the rules. If there is a resurgence of such practice now, what makes it tick?
In 2018 APT launched the first August Collectives to gain a better insight into how collaborations can develop in our spaces and how we can support such projects at their early stages. It is a unique residency format with no fixed outcomes – unlike a studio residency artists have been invited to develop, devise and hash-out collective working practices in our gallery. The gallery is opened throughout August to the selected artists, to develop works in conversation with the public and community.
By making development public, and polished outcomes irrelevant, August Collectives hopes to encourage resident artists to expand on what is meant by collective working.
Image: Helen Rousseau & misreadings, from 2018
AC 2019
Four artistic collectives and artists were invited to take over APT’s Gallery for one week each: Cleave and Deptford island Disco who came together for this project; South Speak, a gathering of poets; and the BOAT collective.
W1 Cash Aspeek, Karen Byrne, Anno Mitchell - Cleave
W2 Lauren Pennycott - Deptford Island Disco
W3 Sam Petherbridge - South Speak
W4 The Bloat Collective - Float
Image: From the Float project by the Bloat Collective, at APT 2019
AC 2018
Helen Rousseau, Emma Rushton, Rob Lye and Andy Parsons took over the gallery space for one week each to work collaboratively with other artists, arts organisations and groups:
W1 Helen Rousseau and misreadings
W2 Emma Rushton - The Wailing Project on Sinister Island
W3 Rob Lye - Rain
W4 Andy Parsons - Raft
Image: Drawing on the raft on Lough Gill, photo by Rachel Webb (2015)